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Hollywood does it again to
Christianity in the PG-13 movie
Saved!, staring
Jena Melone as Mary and
Mandy Moore as Hilary Faye. The movie, directed by
Brian Dannelly, portrays Christians as hypocritical,
condescending, and stupid. However, there are uncomfortable and
insightful grains of truth in this movie for Christian viewers who
can get beyond the glaring prejudices.
Yes, I know that Hollywood could
never get away with an anti-Jew, anti-gay, anti-feminist, anti-black
movie in a similar vein. I know that Christian fundamentalists and
evangelicals are now on the same level with the KKK in the hierarchy
of acceptable targets. Still…at least the statue in the movie of
Jesus, with outstretched evangelical arms, looks quite fake. It’s a
legitimate question as to who most portrays Jesus inaccurately,
fundamentalists or Hollywood.
This movie hits all the major
fundamentalist sin issues: homosexuality, premarital sex, divorce
and adultery, but the premise of a teenage girl (Mary) thinking God
wants her to cure her boyfriend of homosexual feelings by having sex
with him is unbelievable and offensive to Christians. The believable
part of the movie is that she carries out this act with her bra on,
signifying this is not a sin of lust, but an act of rescue. The
scene effectively portrays the angst of many Christian teens torn
between sexuality and spirituality.
Mary's ploy doesn’t work (of
course—since the message is that homosexuality can't be cured
anyway) and her boyfriend is sent to Mercy House for
“degayification” where he eventually finds his true love—another
boy. Meanwhile, Mary sees on the news that cancer can cause
irregular menstrual cycles. She displays one of the most revealing
and devastating characteristics of a teen under too much pressure to
perform religiously. She prays about her late cycle, “Please let it
be cancer.” This is one of the most realistic moments in the movie.
Many girls growing up in the church would opt for cancer over being
pregnant, choosing a dread disease or death rather than face the
shame of illicit sex.
Of course the hero in the movie is a
Jewess, Cassandra, played by
Eva Amurri, who saves the physically handicapped brother of the
most offensive Christian, Hilary Faye (a play on Tammy Faye?), from
being the Christians’ little "handicap project." The movie also
calls the fundamentalist bluff concerning modesty when Cassandra
pretends to be speaking in tongues and nearly rips her top off,
while the boys in the Christian school watch expectantly with
delight. She later becomes the true rescuer, saving others from the
perils of Christianity. Cassandra tells Hilary’s brother, “You need
to be out of here.”
During one overdone moment, Hilary
Faye throws her Bible at someone and says “I am filled with Christ’s
love.” Another telling moment is when she says, “Prayer works. It’s
been medically proven.” Okay, so Hollywood didn’t get it all
wrong with its portrayal of Christians. They must have done at least
a little research.
The pastor in the movie has major
marriage problems while his open-minded son, Patrick, falls in love
with Mary. These one-liners reveal the essence of the movie: Patrick
tells his father, “It’s all a gray area,” while his dad responds
“the Bible is black and white” and Mary chimes in with, “It’s too
much to live up to.”
In the end, the statue of Jesus
falls on the windshield of Hilary Faye’s car, knocking off her tiara
which she had donned for a dance. The queen of Christianity is
dethroned and all is well--even Mary’s pregnancy and her
ex-boyfriend’s gay relationship, as they all line up for a group
picture when the baby is born. All is right with the world…as long
as we stay away from those fundies.
Where did Hollywood get this view of
fundamentalists?
Fred Phelps?
Jim and Tammy Bakker?
Maybe the portrayals were actually too nice. It isn’t religion and
religious devotion that Hollywood can’t portray. They did an
excellent job of that in Chariots of Fire and The Mission. It is
religious hypocrisy they can’t stand. They have no problem with
their own hypocrisy, but ours really irritates them.
by Rachel Ramer |