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Booker Prize list winner for the second time,
Barry Unsworth, has written a book
set in twelfth-century Sicily against the backdrop of the
Crusades. Thurstan Beauchamp is a young Norman in the court
of King Roger in Palermo. Thurstan, who desires to fulfill
his lifelong ambition of knighthood and all that would mean
financially, politically, and spiritually to a young man of
his background, finds himself thrust into a plot of intrigue
and treachery that tests his Christian faith on every level
of meaning.
Thurstan believes that being a Christian does not
automatically exclude the choice to work amicably in a court
where King Roger has employed both Christians and the
Muslims, who formerly had held Sicily in conquest. His work
relationship with Yusuf Ibn Mansur, a Muslim who is his
direct superior in the Diwan of Control, oscillates between
being advised and mentored in fiscal politics and being
twitted about his vanity in fashionable male attire.
Thurstan is not entirely comfortable trusting Yusuf’s
benevolence.
Thurstan is also caught between his lustful enchantment with
a young woman from far beyond the kingdom of Sicily who
dances with the ruby in her navel and attracts attention
from every man who sees her dance, and his youthful love and
admiration for the Lady Alicia whose path was separated from
his own when his father’s fortune was lost to him in his bid
for knighthood. But the Lady Alicia comes back into his
life as a young widow fresh from the Holy Wars in
Jerusalem. She dazzles him with the prospect of regaining
all the status and power and fortune that has been denied
him up to this point and does it with promises of love and
devotion.
Thurstan is now thoroughly caught upon the horns of a
dilemma. His earthy nature, as revealed in his lust for the
dancer, is pulling him in one direction and his idealized
reverence for the knight’s widow and also for King Roger, is
pulling him another. He is drawn into a deep and devious
plot to overthrow the King and his blindness to his own
human desires allows him to be used as both a victim and a
co-conspirator. When he finally comprehends the players and
the plots, he doubts himself on every level of his being.
This story is not a novel of love triumphing over all. This
is the story of the deep political consequences when
religion is the trump card to play on the world’s chess
board. Thurstan is challenged to accept that, as in chess,
there is no good; there is no bad………there is only winning.
This
book challenges the reader, whether from a background that
is Christian or Muslim, to wonder how God must view our
struggles and vanities and our evil desires all acted out in
His name. At the very least, each reader might examine
himself for beliefs that motivate his actions that may not
have basis in Scriptural morality. As Thurstan tells us on
the opening page, “[the past and the future] are hinged
together like a door that swings, and that swinging is the
present moment.” The book moves at an exciting and
involving pace that contributes to the reader’s enjoyment.
The book is timely both in topic and style for today’s
reader. (some sexual
content)
By Rose Marie Smith
Winner on the Booker Prize longlist for 2006
Wikipedia: Booker Prize
The 2006 Longlist
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