|
The Hoover family is a
mess. Mom, Sheryl (Toni
Collette) just can't quit smoking, and
has to do it on the sly from her motivational-speaker
husband, Richard (Greg
Kinnear). Living with Richard and
Sheryl are Sheryl's brother Frank (Steve
Carell), a Proust scholar who attempts
suicide after being rejected by a male grad student;
Richard's father Edwin (Alan
Arkin), a foul-mouthed, porn-loving,
heroin-using senior citizen who was evicted from his
retirement home for sexually harassing the help. Also
included are their two children, Dwayne and Olive. Dwayne (Paul
Dano) is a high-school senior who has
taken a vow of silence until he is accepted into the Air
Force Academy. Olive (the show-stealingly cute
Abigail Breslin)
is an awkward seven-year-old with aspirations of being a
beauty queen.
The initial conflicts
emerge immediately, with Richard bullying the rest of the
family with his nine-step "Refuse to Lose" motivational
program, including his chain-smoking wife and his
silent son who broods in the bedroom and reads Nietzsche all
day. Meanwhile, Edwin coaches Olive in some new steps that
will help her win "talent" contests. When Olive is accepted
into the "Little Miss Sunshine" pageant, the family must
pull together with 48 hours to get Olive from Albuquerque to
LA. They pile into a VW microbus and one of the best movie
"road trips" commences.
Most of the obstacles along
the way are tied to the individual characters' personal
conflicts. The movie allows each of the characters their own
standout moment and resolution. The climax occurs when they
attempt to wake Edwin from a nap and discover he's dead; and
since he died across state lines, they can't leave him in a
California morgue, but they can't take the body with them
either. Meanwhile, they still have to get Olive to Redondo
Beach for the pageant since "Grandpa" would have wanted
it. The solution? The family is so committed to helping at
least one of them attain their goals that there's only one
choice...sneak the corpse out of the hospital and continue
on to the "Little Miss Sunshine" competition!
Finally, they arrive at the
pageant just in time to register Olive, and discover a bevy
of hyper-sexualized little Jon-Benet Ramsey wannabees.
These other contestants with their perfect makeup, hair, and
gowns contrast with Olive's low-key amateur look. Afraid
that Olive will be embarrassed, the family attempts to
express their unconditional admiration and love for Olive,
giving her an out if she wants it. Olive soldiers on, and
the mayhem (caused mainly by the "dance routine" her grandpa
concocted) points out the mixed messages of sexuality and
innocence inherent in these junior beauty pageants.
The standout performances
here come from the young Breslin, who manages to bring a
sweetness to this role without turning it into something
that might require insulin therapy. Arkin as the bitter old
grandfather still gives his last bit of love for the family,
and Carell delivers an unusually serious turn as the
suicidal scholar. Oh yeah, the cantankerous VW bus almost
becomes a character in its own right.
The real delight of this
independent film (a 2006 Sundance winner) is the message of
family interdependence and unconditional grace and love that
develops over the course of the trip. "Little Miss Sunshine"
takes a long, hard look at our society's fascination with
"winners and losers" with the Alan Arkin character
delivering the bottom line message:
"A real loser is someone who's so afraid
of not winning he doesn't even try."
And the Hoovers, in most
people's eyes, would qualify as losers. By Edwin's
definition, though, not so much. These people have
everything but the proverbial kitchen sink thrown at them;
but every time out, they pull together, look at each other,
and say "So what? We'll find another way."
The profanity and dark
comedy can be off-putting at times, but a viewer who
perseveres to the end of the film will come away with an
inspiring message about how good people can deal with bad
things.
by Mike
Stidham
|