| Andy Crouch has written
the definitive book on the Culture War. The verdict? The
Culture won. But for Crouch, the editorial director for The
Christian Vision Project at Christianity Today
International, this isn’t so dismal as
conservative evangelical pundits would have us believe.
In his newest book, Culture Making: Recovering Our
Creative Calling, Crouch deals with Evangelical
attitudes toward the culture from three different
perspectives. In the first section of the book he provides a
sociology primer for non-sociologists (which seems to
include nearly everyone in Evangelical circles commenting on
sociology with the exception of
Tony Campolo). The second section of the book takes a
sociological approach to interpreting scripture, charting a
middle path between the historical-critical method and the
proof text method of hermeneutics. His third section takes
the sociological and scriptural groundwork of the first two
sections to look forward at the challenge of becoming
responsible creators of culture in a fallen world.
The first thing that
stands out in Crouch’s writing is how different his work is
from Evangelicalism’s most celebrated culture warriors.
Rather than treating culture as some monstrosity to be
brought into submission, he points out that culture is first
of all a creation of man. He says, (italics in original) “…Culture
is what we make of the world. Culture is, first of all,
the name for our relentless, restless human effort to take
the world as it’s given to us and make something else.” (p.
23) He goes on to say, “Culture is not just what human
beings make of the world; it is not just the way human
beings make sense of the world; it is in fact part of the
world that every new human being has to make something
of.“ What this means is that humans don’t “make culture” at
all, but culture is the outcome of the things they make. We
don’t write “culture” but we do write books. We don’t bake
culture, but we bake bread. The books, the bread, and the
vast host of everything else we create are known in
sociological terms as “artifacts.” They embody aspects of
the culture in which they are created, but they themselves
cannot be said to be culture.
In a brisk departure
from mainstream cultural critics, Crouch broadens his
treatment of the topic to include far more than just
worldview. He says, “The problem is an ineffectual,
‘disembodied’ Christianity, one that makes little difference
in culture or even, all to often, in the life choices of its
adherents.” (p. 63) Evangelicals, like George Barna, see
this as well and publish book after book providing cultural
analysis and even more commentary that leads to even more
thinking, yet precious little cultural changes both in the
lives of Christians and in the world around us. After
pointing out the weaknesses of thinking “worldviewishly” as
Crouch phrases it, is that we spend our efforts in thinking
about culture without really creating culture, and certainly
without shaping the culture.
Crouch’s remedy to
ineffectual analysis is to change the culture by creating
more of it. Before taking up this challenge, however, Crouch
offers a set of alliterated alternatives, namely:
-
Condemning culture - seen
in Christian boycotts and protests of things like movies or
books.
-
Critiquing culture - we
offer commentary on the culture around us without actually
having an impact outside of our own enclave.
-
Copying culture - we either
slavishly do the same thing that the broader culture is
doing (seen in some contemporary Christian musicians).
-
Consuming culture -
Selectively buying “good” products to reward those who make
the things we approve of.
Instead of these, Crouch
suggests that we need to be cultivators of culture who
create and produce substantive contributions to the culture
that flow from a maturity of discipline and accomplishment.
He says that when we adopt the above as postures, an
habitual stance, we limit our ability to respond creatively
and meaningfully to a culture that desperately needs what we
have to offer.
In Part Two, Crouch
takes us on a journey through the Bible from Genesis through
Revelation and beyond, peering through the lenses of a
sociologist. Rather than a critique of the Bible, he
provides a high-level overview of the march of culture and
God’s place in creating humans to be able to shape the world
around them, to make something of significance, to be
creative beings in their own right and in the image of God
Himself. Even when man takes off in a direction different
from God’s original—whether it was the move from a Garden to
a City in Genesis 4 or the move from a theocracy to a
monarchy in 1 Samuel –God was able to take whatever man had
made and redeem it for His own. In seeing this persistently
redemptive, relentlessly loving God joining together with
His creatures in creating a world, we find a sense of hope
that replaces the knee-jerk condemnation so familiar among
Fundamentalists and Evangelicals. Crouch offers a positive
message that brings God closer to our human endeavors rather
than the common theme of alienation that we hear.
In Part Three, titled
“Calling,” Crouch outlines both the limits and the
opportunities facing Christians as part of the culture. He
begins by pointing out the great irony of our Christian
endeavor—that we are called, as God’s redeemed people, to
transform the world, but changing the world is precisely
what we cannot do. He says:
Indeed, the great irony
with the North American Christian community’s obsession
with becoming world changers, as outsiders like Alan Wolfe
and insiders like Ron Sider have documented, is that so far
and on the whole we are much more changed than changing. The
rise of interest in cultural transformation has been
accompanied by a rise in cultural transformation of a
different sort -- the transformation of the church into the
culture’s image. (p. 189)
Crouch adds that we
really have very little power as individuals to change the
culture. Some might argue that Henry Ford and the Wright
brothers were catalysts behind a cultural transformation
that made such things as the interstate highway system,
suburbs, and commercial air travel possible, yet we need to
recognize that without the myriad contributions of a host of
others, their innovations would never have gone anywhere. We
have “survivor bias” in such situations. We mistakenly think
that individuals have transformative power because we only
see the successes. We don’t see the countless failures of
those who have tried to engineer social change but have
failed. Men like
Preston Tucker, who are little more than a historical
footnote or the countless unnamed thousands who failed to
make millions before the
dot com bubble burst, are more typical of those who
wanted to shape the culture but failed to do so. In addition
to survivor bias, we also operate under the presumptuous
notion that even if we do change the culture, we will change
it for the better. What is it about either the history of
mankind or even our ability to positively change our own
lives that leads us to this conclusion?
However, rather than
leaving us feeling defeated, Crouch offers us hope that we
can indeed follow the calling of God in our lives to
transform the culture. He suggests that cultural power can
be defined very simply as “the ability to successfully
propose a new cultural good.” He warns, however, that the
temptation to amass power is most acute when it is coupled
to the best of intentions, citing Ralph Reed, Jr. as a
cautionary example. Reed began as a founder of the Christian
Coalition in the 1990’s and ended the decade collaborating
with Republican lobbyist Jack Abramoff looking after the
interests of, among other things, Native American gambling.
Instead of succumbing to lure of power, Crouch offers an
alternative—grace-filled communities. Speaking, of
necessity, in the abstract he closes the book with a
strategy for forming transformative communities based on the
actions of a small body of people who create a cultural good
and are able to disseminate it to the wider culture through
their grace-filled living. There are examples all around us
of how this formula has taken hold in our culture. Phil
Vischer and Mike Nawrocki, creators of the Veggie Tales
animated series have created a cultural good that is
recognized both for its quality and its consistent Christian
message.
Crouch challenges all
of us to leave the comfort of cultural criticism and become
transforming creators in a world where God has called us to
make a difference. All of us are shaped by the culture
around us and none of us can escape its influence, but at
the same time, each of us has the power to speak truth to
culture in a meaningful way. What remains for us is to avoid
being satisfied with critique and analysis and be
contributors to the culture in which God has placed us.
by
Rick Presley |